I have one hood, which was made in a bit of a hurry, and was a re-working of another hood that was just wasn't working, which is why the construction is a little weird:
I mean, really, that gusset at the back of the neck! |
If I were to try to wear it closed, however (assuming I get around to adding buttons and holes), the opening would be too tight.
The first draft turned out rather large.
Better, but still not quite right.
I tried it on inside out, so that the excess on the inside of that curve didn't screw with the drape too much, just to make sure I hadn't taken out too much. It fit, so I trimmed the seam allowance down to an even 1/2" and turned it right-side out again.
The skirting is still longer than it should be; with this particular mockup, I'm going to leave it that way, because I'm not fond of that chilly gap between hood and gown, and as this fabric is a nice cashmere/wool blend, this hood will be for warmth. Also, the transition from hood to liripipe is too gradual, the extant examples (from Textiles and Clothing, and other sources) show a much more abrupt, panhandle shape, more like the gold hood. I'm leaving the gradual transition, though, too; it fits my hair when it's in a bun on the back of my head, and the purpose of this garment (now that pattern tweaking is done) is to keep me warm in a plausibly medieval way, not strict adherence to authenticity.
Very helpful webpages:
http://larsdatter.com/hoods.htm
http://www.personal.utulsa.edu/~marc-carlson/cloth/hoods.html
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