The elements of the kits are a combination of made, purchased, and modified.
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I've been using one of these for a week, keeping it in my purse and not being particularly careful with it. It's holding up well so far.
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The pins are modern glass-headed pins; I've seen references to glass-headed pins, but didn't take the time to track them down for this project.
Hand-made needles very similar to those held by the Museum of London are available, but prohibitively expensive, and while I looked into making my own, I ran out of time and energy.
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Cylindrical wood tubes were used as pin and needle cases on the Mary Rose, though those had stoppers, not caps, and had dividers so they could be used as thread-winders at the same time.
These were a batch of seconds, where the lid didn't fit tightly. I wrapped them with waxed thread to snug up the fit.
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The wax hexagons are from a friend who keeps bees. To protect the wax from lint, and to protect the rest of the contents of the kit from wax, I wanted a little pouch to keep it in. A reusable/disposable tea bag was about the right size, so I copied it (tweaking the dimensions) out of a silk organza. I wanted a thin fabric that wouldn't add a lot of bulk, and I wanted a stiff fabric that wouldn't cling to the wax while inserting and removing it. I happened to have a remnant of rose-colored silk organza with an intact selvedge edge, which cut down on my narrow hems in disobedient fabric. (Silk organza is kind of a nightmare to work with)
clockwise from top left: inside out bag, right side out bag, wax, original tea bag.
Caution: when using a leather thimble, the eye end of the needle will eventually inevitably punch through and into your finger. This will hurt a lot when it happens, because it only happens when you're using a lot of force.
The tails are doubtless too long. Adjust to fit and trim as desired.
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This type of springy shear was pretty common throughout period. I didn't notice until I was almost done inserting them into their sheathes that the "spring" part is actually plastic.
I apologize, but as I was fooled for a long time *with them in my hands,* I think they'll pass.
The leather sheath is just to keep the tips covered, for safety. The loop is meant for hanging.
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Bone, modern. The awls are a very common Victorian design (though there's nothing about them that couldn't or necessarily even wouldn't have been done in period)
Thread winders
These are based sort of roughly off of a Viking find, and were a massive exercise (for me) in poor decision making.
Wood is not my medium. Therefore, I have not earned the right to take short cuts, even though I know there are shortcuts to be had.
They exist.
That's enough.
Other people's research and variations:
A Viking/Saxon Sewing Box
Putting Together A Medieval Sewing Kit
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